Again, starting with rough sketches I make sure the animation looks right at this stage. I first plan on paper then draw in the key frames, followed by the passing poses, the extremes, then in-betweens.
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After the animation looks good, I line every frame in with a small black brush; I always have a reference layer at the bottom when doing this so the character's size and volume is constant throughout the animation.
I then colour every frame in. A friend taught me a faster way of colouring by adjusting the settings of the paint bucket tool in Photoshop and it saved me a lot of time. Before I was using the brush tool and colouring every frame stroke by stroke, now I can finish one large area with a few clicks.
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